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By Naomi Milthorpe

Evelyn Waugh (1903–1966) is without doubt one of the 20th century’s nice prose stylists and the writer of a collection of devastating satires on glossy English existence, from his first unforgettably humorous novel Decline and Fall, to his final paintings of fiction, “Basil Seal Rides Again.” Evelyn Waugh’s Satire: Texts and Contexts renews scholarly debates principal to Waugh’s paintings: the sorts of his satire, his attitudes in the direction of modernity and modernism, his position within the literary tradition of the interwar interval, and his pugnacious (mis)reading of literary and different texts. This learn deals new exegetical money owed of the kinds and figures of Waugh’s satire, linking unique readings of Waugh’s texts to the literary-historical contexts that expert them. Posing clean readings of usual works and affording recognition to extra overlooked texts, Evelyn Waugh’s Satire: Texts and Contexts bargains readers and students a well timed chance to come back to the wealthy, darkish paintings of this grasp of prose satire.

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Evelyn Waugh’s Satire: Texts and Contexts by Naomi Milthorpe


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